Rabu, 06 Januari 2010

'Chuck's' Adam Baldwin on John Casey, a man of few words and many bullets

Round One for MGM set for Jan. 15

Potential buyers for debt-ridden Metro-Goldwyn-Mayer Inc. have a little over a week to "officially" register their interest in acquiring the studio on an imposed deadline of Jan. 15, according to a person close to the process. About 12 suitors, including studios and various financial players have signed nondisclosure agreements enabling them to pore over MGM's confidential financial information before making a bid.

The parties are not required to put actual bids on the table but rather "indications of interest" that show they have the financial wherewithal to move forward with a formal offer.

Among those kicking the tires are Time Warner Inc., parent of Warner Bros., and Lions Gate. News Corp., parent of 20th Century Fox, had also expressed interest but steered clear of signing the NDA.

Several people familiar with the process said it was highly unlikely that MGM would be sold in the next few weeks before the company's next interest payments on its $3.7-billion debt load are due on Jan. 31. In November, MGM's lenders agreed to give the struggling studio a second forbearance after earlier extending a Dec. 15 deadline.

A spokesperson for MGM declined to comment.

-- Claudia Eller


'Chuck's' Adam Baldwin on John Casey, a man of few words and many bullets

Below is an interview with "Chuck" cast member Adam Baldwin, who plays John Casey on the NBC show, which returns Sunday. The piece does not contain spoilers for Season 3. Below the interview there is some specific information about upcoming episodes of the show, including summaries of "Chuck's" first five Season 3 episodes. You'll get a spoiler warning before you get to that. Previous interviews with co-creators Chris Fedak, Josh Schwartz and star Zachary Levi regarding Season 3 of "Chuck" are here, here and here. There are also many "Chuck" clips in the video player on the right side of this page.

Veteran spy John Casey is a man of few words and many grunts.

And thanks to the deft performance of Winnetka native Adam Baldwin, Casey's grunts -- which can signal everything from disgust to annoyance to occasional contentment -- are one of the most entertaining things about the action-comedy "Chuck," which returns with a delightful third season 8 p.m. Central Sunday (the show begins airing in its regular time slot 7 p.m. Central Monday).



Casey and Sarah Walker (Yvonne Strahovski) are secret agents who have been given the task of teaching spy skills to retail clerk Chuck Bartowski (Zachary Levi), who became an important intelligence asset when he downloaded a cache of espionage secrets into his brain.

Casey, a laconic Marine and veteran National Security Agency operative, would rather be traveling the world and leading dangerous missions with experienced agents. But he's been going on missions with Sarah and Chuck while both men work cover jobs at a Buy More electronics store.

"He's thrown into this situation reluctantly, because of who Chuck Bartowski is," Baldwin said in an August 2009 interview on the show's Burbank, Calif., set. "But orders are orders."

It's hard to say what Casey likes less, working alongside slackers and lunatics at the Buy More or protecting Chuck, who downloaded a new batch of fighting knowledge and spy skills at the end of Season 2. Casey's constantly frustrated by something, but Baldwin's skills as a straight man have made the character's irritation (which hides some ferociously suppressed affection for Chuck) quite entertaining to watch. 

NUP_136531_0167 "I've found the biggest challenge in playing Casey is, how do I walk that line between comedy and seriousness?" said Baldwin, 47. "He is the straight man. But what they told me from the get-go is that Casey has to be dangerous, even when he's being handcuffed by a gorgeous Russian model-spy."

In Season 3, Chuck is trying to master that new array of skills, and Casey is still toiling at the Buy More. "Chuck" co-creator and executive producer Chris Fedak said that the dynamic of Casey vs. the Buy More loons was so fun that the writers couldn't resist writing more of those stories.

"John Casey's been out there for 20 years saving America, now he realizes just what he's been saving," Fedak said. "So it's tough for him."

Casey can take a lot of pain -- there's proof of that in the Jan. 11 episode, "Chuck vs. the Angel de la Muerte" -- but the man has limits. Casey wants to save America from bad guys, but not while wearing a green Buy More shirt.

"In John Casey's mind, green is the new pink," Baldwin said with a laugh. But he noted that he loves filming Buy More scenes.

"I'm more of a straight man in my real life too, I guess. I'm not much of a jokester," Baldwin added. "But I love hanging out with those guys, they make me laugh so much. They're always singing or playing games or telling jokes."

Baldwin, who was still attending New Trier High School when he was chosen to star in "My Bodyguard" in 1980 and who has memorably played tough men in everything from "Full Metal Jacket" and "Firefly," said his portrayal of Casey contained a tribute of sorts to his father, a Naval Air Corps veteran who fought in World War 2.

NUP_111041_0186 "I'm sure there's a bit of my father in there. He had a dry sense of humor. And he was a bit of a tough guy too," said Baldwin. "I've met many military men and women along the way too and I just try to keep [Casey] as honorable as possible while still remaining within the constraints of the comedy."

Fedak said that viewers will learn "some epic things" about how John Casey became a spy and "who he was before" in "Chuck vs. the Tic Tac," the tenth episode of the NBC show's third season.

"Casey has secrets--some huge, huge secrets," Fedak said. "And Adam is just great in the episode. He's found real depth to a character who isn't terribly comfortable showing emotions or his human side."

Speaking of Casey's human side, I asked what Casey would be like on a date. After laughing for some time, he opined that if the work-obsessed Casey were to date, it would not go well.

"I like idea of rock solid guy being just a pathetic mess in love. You have to have a fatal weakness," he said.

Chuck himself still has some weaknesses -- he finds it hard to control and use all the new skills he's got -- but he shows real bravery and ingenuity as the new season progresses. Even Casey has to recognize that Chuck has come a long way from Season 1, when he often cowered in the car as Sarah and Casey took out bad guys. 

"Chuck's definitely earned some respect at this point from Casey," Baldwin said. "The question is, can he maintain it?"

Of course, any respect Casey has for Chuck is grudging. And unspoken. Except, perhaps, for the occasional grunt.

Spoiler alert: information about upcoming episodes below.

NUP_132014_0479 The summaries are from NBC's press site.

"Chuck Versus the Pink Slip" and "Chuck Versus the Three Words" both air Sunday, by the way.

"Chuck Versus the Pink Slip": "As the upgraded Intersect, Chuck (Zachary Levi) trains to become a full-fledged spy but hits rock bottom when he flunks out of spy school and loses Sarah (Yvonne Strahovski) in the process. Meanwhile, Morgan (Joshua Gomez) comes home from Benihana School to help Chuck get over Sarah."

"Chuck Versus the Three Words": "Chuck (Zachary Levi) gets a new mission when Sarah's (Yvonne Strahovski) best friend Carina comes through town with her fiancé Karl (guest star Vinnie Jones). Things get complicated when Chuck wants to hash out his and Sarah's relationship problems while they’re on the mission. Meanwhile, Morgan (Joshua Gomez) finds himself in trouble when he lies to Jeff (Scott Krinsky) and Lester (Vik Sahay)."

NUP_136892_0224 "Chuck Versus the Angel de la Muerte" (airs Monday): "Chuck (Zachary Levi) must use hisrelationship with Awesome (Ryan McPartlin) to protect a visitingdictator, Premier Goya (guest star Armand Assante), who is the targetof an assassination. While Awesome is excited about the prospect ofbeing a spy, Chuck (Zachary Levi) is more concerned about Awesome andEllie's (Sarah Lancaster) safety."

Chuck Versus Operation Awesome" (airs Jan. 18): "When Awesome (Ryan McPartlin) is mistaken for a super spy by the evil Sydney Price (guest star Angie Harmon), Chuck (Zachary Levi) must become his handler and show him the spy ropes. While on a mission for The Ring, they meet the mysterious Daniel Shaw (guest star Brandon Routh). Meanwhile, Morgan (Joshua Gomez) gets promoted to assistant manager and must deal with Jeff (Scott Krinsky) and Lester's (Vik Sahay) latest hijinks."

"Chuck Versus First Class" (airs Jan. 25): "CIA agent Daniel Shaw (guest star Brandon Routh) assigns Chuck to his first solo mission in Paris, ignoring Sarah and Casey's wishes. During the flight to France, Chuck befriends Hannah (guest star Kristin Kreuk) and flashes on another passenger -- the imposing Hugo Panzer (guest star "Stone Cold" Steve Austin) Meanwhile, Casey helps Morgan battle Jeff and Lester for control of the Buy More. 

A few other notes:

I visited the "Chuck" set during the filming of "Chuck Versus the Pink Slip." There's much more on that episode in the set-visit story I wrote in August. Fedak said Episode 9 has a prominent story line for Morgan. He talked about Zachary Levi directing that episode in this December story.  Robert Patrick will guest star as Col. Keller, someone from Casey's past, in "Chuck Versus the Tic Tac."In the December interview, Fedak said the first 13 episodes of Season 3 will constitute one block, but that set of episodes will lead into a new set of stories which will take place in the next 6 episodes of the season (NBC has ordered a total of 19 Season 3 episodes). In this July interview, Schwartz said Morgan and Chuck become roommates early in Season 3. He and Fedak also talk about how Chuck's spy skills will work (or not work) in the new season. One final note: I'll probably post a few thoughts about the first three episodes of the season on Tuesday. I'd rather talk about them after everyone else has had a chance to see them. 


The Star Report: And the Image Award nominees are...
Wanda Sykes, Tatyana Ali and Taye Diggs up for award. Plus: Michael Cera and Fred Willard at "Youth in Revolt" premiere.
A 'Teardrop Diamond,' But Not Of The Finest Cut

A neglected Tennessee Williams screenplay has finally found a partisan in writer-director Jodie Markell — and a comely star in Bryce Dallas Howard, playing the latest in a long line of flailing Williams women. But if the star is a standout, the script isn't one of the writer's best — and so Markell's film feels both lovingly wrought and laughably outdated.


FILM: Saving Lives Amid the Chaos of War
NEW YORK, Jan 6 (IPS)The documentary "Living in Emergency" is as graphic as it is gripping, following doctors working in humanitarian crises as they face death, disease and despair in Liberia and the Democratic Republic of Congo (DRC).

Selasa, 05 Januari 2010

Redbox, Netflix growth make up for Blockbuster woes in 2009

The good news: DVD rentals were up last year. The bad news: If you own a store that rents DVDs, you have nothing to celebrate. 

According to new data from Rentrak Corp., total DVD and high-definition Blu-ray disc rental revenue in 2009 rose 4% to $6.5 billion.

The gains in DVD rentals, unfortunately for Blockbuster and other stores, came primarily from Redbox and Netflix Inc. There was a 94% surge in revenue from $1-per-night DVD kiosks and 25% growth among online subscription services, more than enough to boost the overall DVD rental businessdespite a precipitous drop at physical rental stores.

Rentals of Blu-ray discs online and at stores jumped 48% to $428.6million last year, while standard DVD rentals fell 6% to $5.1 billion.

Kiosk revenue was $904 million, driven primarily by market leader Redbox, which reported 90% growth in revenue during the third quarter of 2009. Competitor NCR Corp., which operates kiosks for Blockbuster Inc., is gaining ground, however. It recently bought the No. 3 kiosk operator, DVDPlay.

There was more bad news than good for Hollywood, last year. Rentrak said that DVD and Blu-ray sales plunged 13.7%, or about $1.8 billion, to $12.2 billion. That's six times as big as the $300-million increase in DVD rental revenue. Studios generate a much bigger profit from DVD sales than rentals, particularly low margin $1 per night kiosks and online subscription services.

Probably being mindful of its retail partners, Rentrak declined to say how much rental revenue declined at physical rental stores except that it was "double digit." Blockbuster, the nation's largest physical DVD renter, reported a 21% drop in revenue in the third quarter.

Rentrak also wouldn't provide the total value of online DVD rentals, a market dominated by Netflix. It does not compile data for digital distribution of movies, a fast-growing but still small segment of the home entertainment business.

The Digital Entertainment Group, an industry trade group that represents the major studios and others in the DVD business, will release its own year-end sales data, including from digital outlets, on Thursday at the Consumer Electronics Show.

-- Ben Fritz


Analyze this! Clue-laden poster of 'The Lost Supper'

Hey, this looks familiar!

The new "Lost" Season 6 poster is out, and "The Lost Supper" strongly resembles not only the Da Vinci painting but the "Battlestar Galactica" "Last Supper" image that came out a couple years ago. There was also a "Sopranos" version of "The Last Supper" a few years back (a huge array of other "Last Supper" images from pop culture is on the Stranger's blog; note that one or two are NSFW). Given that "Lost's" producers are big fans of those shows, the homage is clearly intentional and also, I think, pretty well done. 

There are two versions of the "Lost" poster, by the way (and you can click on each image below to make it larger). Putting out two versions of the image is no doubt designed to drivefans crazy and/or occupy the time of the show's devoted followers untilit returns Feb. 2. Twenty-seven days, people!

Version 1:

Lostsupper1
 
Version 2:

Lostsupper2

By the way, for individual photos of the Season 6 cast and a few excerpts from my recent interview with "Lost" executive producers Carlton Cuse and Damon Lindelof, look here. I'll post the full transcript of my Darlton interview in a week or two.

And just for the sake of comparison, here is the "Battlestar" "Last Supper" image. By the way, the picture below started off as an EW photo shoot, and when executive producer Ronald D. Moore was told of the concept for the shoot, he excitedly latched on to the idea and intentionally put various final-season clues in the image (which was later adopted by Syfy for the show's various marketing campaigns):

Bstlastsupper

Sponsored Link: Amazon's Lost Store


Coroner: Autopsy of heiress Casey Johnson inconclusive,
LOS ANGELES — The autopsy of Johnson & Johnson heiress Casey Johnson is inconclusive and toxicology tests have been ordered.
Quiz: 'The Simpsons' Marks 20 Years On Air

'The Simpsons' is now TV's longest-running scripted nighttime series. Homer, Marge, Bart, Lisa and Maggie — those never-aging, yellow-skinned inhabitants of Springfield — are back for their 450th episode on Sunday, Jan. 10.


Senin, 04 Januari 2010

News Corp. throws Rotten Tomatoes at Flixster

Rupert Murdoch is getting out of the produce business.RottenTomatoes

News Corp. has sold Rotten Tomatoes, the movie reviews compilation site it received as part of its acquisition of IGN Entertainment in 2005, to fast-growing user reviews site Flixster Inc., which is aiming to take on market leader IMDB (Internet Movie Data Base).

Under the terms of the all-stock deal, Murdoch's media conglomerate will get a substantial minority equity stake in Flixster and a non-voting seat on Flixster's board of directors.

The deal is the latest sign that News Corp. wants to unload what it views as non-essential digital assets as it attempts to re-focus and grow its two biggest online properties, IGN and MySpace. The conglomerate's Fox Interactive Media division, which houses them both, has consistently lost money in the last year and took a $403-million impairment charge last summer.

News Corp. appears to be targeting IGN at the site's original audience of young male video game players. Then-independent IGN bought Rotten Tomatoes in 2004 as part of a plan to expand into movie coverage. However, the movie reviews site doesn't fit into IGN's video game focus and News Corp. apparently concluded it didn't want to invest resources to grow Rotten Tomatoes, which gets roughly 10 million visitors per month.

San Francisco-based Flixster, which is privately held, has more than 20 million monthly visitors and a database of more than 2.3 billion user reviews, is looking to become a major player in the online movie news and information space, which is dominated by IMDB and also includes sites such as Yahoo! Movies, AOL's Moviefone, and Fandango.

"Both sides wanted to build a player that can be No. 1 in the category and our feeling is that a strong independent company is the best way to do that," said Joe Greenstein, chief executive of Flixster.

Rotten Tomatoes' 13 employees will move to Flixster as part of the deal and no layoffs are planned, Greenstein said.

-- Ben Fritz

Photo: Rotten Tomatoes' logo. Credit: RottenTomatoes.com


Hot stuff: The Watcher's winter TV preview

NUP_136892_0235 Once again, the new year is stuffed with a lot of good or at least notable TV returns and debuts. Here's a quick glance of the early 2010 TV schedule (and please note that if you don't see a particular show listed here, you can most likely find information about it at The Futon Critic's site. By the way, don't miss the Futon Critic's 50 Best Episodes of 2009 list, which he'll begin posting Monday).


A couple of final notes: All times below are Central. And as we gather clips from the programs below, you can be sure we'll quickly stick them in the video player on the right side of this page. Check the Watcher video player for daily updates.

Jan.10, "Chuck," 8 p.m., NBC, "Big Love," 8 p.m., HBO, "Return toCranford," 9 p.m., PBS, "Battlestar Galactica: The Plan," 8 p.m., Syfy:Retail clerk Chuck Bartowski (Zachary Levi) finds out whether his newspy skills will help him save the world from bad guys in "Chuck's" two-hour season premiere (there's also a fresh episode at 7 p.m.Monday, the show's normal time slot. By the way, I've seen the first five episodes of the new season, which starts out satisfying and gets even better as it goes); Sissy Spacek joins the cast of"Big Love" as a powerful lobbyist; Dame Judi Dench returns in thesequel to the pleasing Victorian miniseries "Cranford"; and finally the"Battlestar" TV movie tells the story of the Cylon attack on humanityfrom the Cylons' point of view. (There are eight "Chuck" clips in the video player at the right side of this page; at left is a picture of Yvonne Strahovski and Zachary Levi from "Chuck.")

HIMYM100 Jan.11, "How I Met Your Mother," 7 p.m., CBS: The 100th episode of thiscomedy, "Girls vs. Suits," allows Broadway veteran Neil Patrick Harrisand the rest of the "HIMYM" cast strut their stuff in a big musicalproduction number (warning: possible jazz hands!). As if that's not enough, Tim Gunn from "ProjectRunway," Stacy Keibler and Rachel Bilson guest star. And yes, there is a development on the "mother of Ted's children" front. (Pictured at right: Neil Patrick Harris and the cast of "HIMYM" taking to the streets in their big 100th episode production number.)

Jan.12, "American Idol," 7 p.m., Fox and "Southland," 9 p.m., TNT: Newjudge Ellen DeGeneres won't be part the judges' panel when the auditionrounds of "Idol's" ninth season begin -- she will join the showstarting with the Hollywood round. "Southland," the grittypolice show from former "ER" producer John Wells, got a reprieve from cable's TNT, which is re-airing the seven episodes that were made for NBC last season. InMarch, TNT will begin airing six previously unseen episodes from the"Southland's" second season. 

Jan.13, "Leverage," 9 p.m., TNT: When this breezy caper series returns,Nate (Timothy Hutton) and his fellow do-gooder grifters try to takedown a sweatshop owner.  

Jan.14, "Project Runway," 9 p.m., Lifetime and "Archer," 9 p.m., FX: Forits seventh season, judges Michael Kors and Nina Garcia are backfull-time and the show returns to its New York roots (thank goodnessfor both developments). "Archer" is a dry, edgy, sometimes surreal animatedcomedy about a put-upon spy with a complicated personal life. 

24-ep801_Sc126_0073 Jan. 17, "Human Target," 7 p.m. and "24," 8 p.m., Fox: It's a night of manly action on Fox, as the network unveils the bodyguard-for-hire action-drama "Human Target,"which has a great cast -- Mark Valley, Chi McBride and Jackie EarleHaley -- but a somewhat iffy execution in the pilot. When "24"returns, cast constant Keifer Sutherland will be joined by KateeSackhoff ("Battlestar Galactica") and Freddie Prinze Jr. And at somepoint, you can be sure that Jack Bauer will be "running out of time!" (Photo: Sackhoff as analyst Dana Walsh and Mary Lynn Rajskub as Chloe O'Brian)

Jan.18, "Life Unexpected," 8 p.m., The CW: A 15-year old who spent her lifein various foster homes goes to live with her biological parents inthis CW drama. 

Jan.19, "White Collar," 9 p.m., USA: What the heck is going on between FBIguy Peter (Tim DeKay) and reformed con artist Neal (Matthew Bomer)?Here's hoping we see a well-crafted resolution of "Collar's" Novembercliffhanger when this USA show returns. 

Jan.21, "Burn Notice," 9 p.m., USA: If the frigid winter is getting to you,returning to Miami for more adventures with Michael Westen (JeffreyDonovan), Sam (Bruce Campbell) and Fiona (Gabrielle Anwar) should bejust the ticket. 

Lucyspartacus Jan.22, "Caprica," 8 p.m., Syfy and "Spartacus: Blood and Sand," 9 p.m.,Starz: "Caprica" is a promising "Battlestar Galactica" prequel serieswith a great cast (Paula Malcolmson, Polly Walker, Esai Morales andEric Stoltz) and zero spaceships. "Spartacus" is an updating of theclassic tale of a slave turned gladiator; one of the stars in the Starzdrama is "Battlestar" alum Lucy Lawless (pictured at right). Starz must be feeling pretty confident about the show -- the network has already given the green light to a second season.

Jan.25, "Damages," 9 p.m., FX: The cast for the third season of this legalthriller looks stellar: Martin Short, Lily Tomlin, Campbell Scott andKeith Carradine will join stars Glenn Close, Rose Byrne and TateDonovan for more classy conniving in New York boardrooms, offices andbedrooms. 

Feb.1, "RuPaul's Drag Race," 8 p.m., Logo: The first season of this realityseries was a hoot and a half. It's sort of a low-rent "Project Runway"for drag queens, but the fierceness of RuPaul, the judges and thecontestants made this slight slice of escapism unexpectedly fun. 

Feb. 2, "Lost,"8 p.m., ABC: "We concocted the mythology of the show a long time ago,and it’s like having a Christmas present and you kept it on the shelf along time and people are finally going to get to open it and see it,"executive producer Carlton Cuse said in a recent interview. (I posted some excerpts from that interview here, but I'll post the full text of my talk with Cuse and executive producer/co-creator Damon Lindelof in a couple of weeks.)

March1, "Parenthood," 8 p.m., NBC: Another attempt at crafting a TV seriesfrom the film of the same name, this version stars Lauren Graham("Gilmore Girls"), Erika Christensen and Craig T. Nelson. 

Hbopacific March14, "The Pacific," 9 p.m., HBO: The creative team behind "Band ofBrothers" produced this epic miniseries, which follows the lives of threeWorld War 2 Marines as they fight their way from Guadalacanal to Peleliu toOkinawa. 

March22, "Nurse Jackie" and "United States of Tara," 9 p.m., Showtime:  EdieFalco's drug-addicted nurse returns to duty and Tara's multiplepersonalities get another workout in the Toni Collette show's secondseason (for a story on what's to come in the second season of "Tara," go here).

Addendum: A heads up about various shows that are taking breaks of various lengths and returning later in the spring:

"FlashFoward" returns to ABC March 4
"V" returns toABC March 30Fox's "Fringe" has new episodes in January and oneepisode in February, then takes a break until April 1"Glee" returns April 13 (four more months without Sue Sylvester? Argh. At least we'll have a Joss Whedon-directed episode to look forward to when the show returns.)
"Lie to Me" is on a break until ayet-to-be-named date in the spring. When it does return, one episode will feature a mini-reunion of actors from "The Shield"
AMC's "Breaking Bad" will return inMarch but no date has been set for the debut of its third seasonAgain, for monthly breakdowns of what's coming in January, February and March, you can always check out the Futon Critic's extensive listings. Please don't leave a question about a specific show in comments unless you can't find info about its return at that site or via Google.


Review: FOG Trio's benefit concert for Music at Kohl was exceptional
Violinist Jorja Fleezanis, pianist Garrick Ohlsson and cellist Michael Grebanier (the first letters of their last names spell 'FOG') were all about Haydn, Brahms and Schumann; nothing gimmicky.
Film Director Battles For Soul Of Chinese Cinema

China's most famous film director aims to do battle with Hollywood for the China market with his latest film, a remake of the Coen brothers' Blood Simple. From art-house auteur, Zhang Yimou has transformed into the director of Beijing-sanctioned spectacles, including the ceremonies of the Beijing Olympics.


Minggu, 03 Januari 2010

'Avatar' worldwide total hits $1 billion as foreign grosses explode

AvatarBillion

It looks like James Cameron's only remaining box office challenger will be James Cameron.

"Avatar" this weekend became the fifth movie in history to bring in more than $1 billion in worldwide ticket sales and the fastest by far to do so, breaking the nine-figure barrier less than three weeks after it debuted.

With a studio-estimated total of $1.033 billion, it has surpassed "The Dark Knight," which left theaters with $1.002 billion, and will soon surpass both "Pirates of the Caribbean: Dead Man's Chest" ($1.066 billion) and "The Lord of the Rings: Return of the King" ($1.119 billion). Comparisons accounting for inflation and exchange rates are very complex when calculating ticket sales in more than 100 countries, but it's clear that by any measure the costly "Avatar" is already one of the highest-grossing movies of all time.

20th Century Fox, Dune Entertainment and Ingenious Film Partners spent about $280 million to produce "Avatar," while Fox kicked in an extra $150 million for worldwide marketing and distribution. Since studios collect a bit less than half of worldwide ticket sales, it will likely earn a small profit on theatrical revenue alone and significantly more from DVD and other markets.

The only remaining question about the box office performance of "Avatar" is whether it will surpass director James Cameron's previous movie, "Titanic," which still holds the all-time title with worldwide ticket sales of $1.843 billion. To reach that far-off mark, the picture will have to general phenomenal business throughout the winter and draw many moviegoers to repeat viewings.

Though "Avatar" is performing very well in the U.S. and Canada, its success is coming primarily from overseas. In 110 foreign markets, it has collected a total of $670.2 billion, almost twice as much as it has taken in domestically. It will almost certainly surpass the No. 2 international movie of all time, "Return of the King," which grossed $742.1 million. "Titanic" took in $1.242 billion from foreign countries.

"Avatar" is already the highest-grossing film of all time in Russia, the fourth highest in Spain and Australia, and the second-biggest U.S. movie ever in France, India and South Korea. It opens on Monday in China, an increasingly lucrative market for effects-laden tent-pole films, and on Jan. 15 in Italy.

Three-D technology continues to be one of its primary drivers. Theaterswith 3-D screens have accounted for about 75% of its ticketsales in the U.S. and Canada and roughly the same in major foreign markets.

Domestically, "Avatar" is well on its way to grossing more than $450 million but has a long way to go before it challenges the $533 million collected by "The Dark Knight," let alone the record-holding $601 million of "Titanic."

Anything remains possible for "Avatar," however, given its amazing momentum. Despite a far-from-spectacular opening weekend, the film has experienced minimal declines since then, generating the second-highest second-weekend ticket sales of all time and the highest ever on a third weekend.

Every movie in wide release saw modest declines this weekend relative to the record-breaking Christmas weekend. The movie with the biggest drop, "Sherlock Holmes," fell a relatively modest 38%, while several pictures saw ticket sales increase, most notably "The Blind Side" and "The Princess and the Frog."

Comp Relative to their costs, "Alvin and the Chipmunks: The Squeakquel" (which 20th Century Fox and New Regency spent $70 million to produce) and "Sherlock Holmes" (which Warner Bros. and Village Roadshow spent $90 million to produce) are already looking like solid successes, while "It's Complicated" (which Universal Pictures and Relativity Media spent about $85 million to produce) is on its way to becoming one as well. "Nine," meanwhile, is looking like a major financial disappointment for the Weinstein Co. and Relativity.

(For more on the domestic performance of various movies this weekend, see our initial box office post from earlier this morning.)

Overseas, "Sherlock" has grossed $37.6 million from 33 territories, bringing its total to $88.3 million. "Squeakquel" collected $32 million in 54 markets, increasing its foreign take to $99.1 million. "It's Complicated" brought in $5 million, increasing its international gross to $13.8 million from 13 markets.

In limited release in the U.S. and Canada, "The Imaginarium of Dr. Parnassus," directed by Terry Gilliam and starring Johnny Depp and the late Heath Ledger, took in a solid $130,817 at four theaters, bringing its total to $348,677.

Here are the top 10 movies at the domestic box office, according to studio estimates and Hollywood.com:

1. "Avatar" (Fox/Dune/Ingenious): $68.3 million, down 10%. Domestic total: $352.1 million. Foreign total: $670.2 million.

2. "Sherlock Holmes" (Warner Bros./Village Roadshow): $38.4 million, down 38%. Domestic total: $140.7 million. Foreign total: $88.3 million

3. "Alvin and the Chipmunks: The Squeakquel" (Fox/New Regency): $36.6 million, down 25%. Domestic total: $157.4 million. Foreign total: $99.1 million.

4. "It's Complicated" (Universal/Relativity): $18.7 million, down 15%. Domestic total: $59.1 million. Foreign total: $13.8 million.

5. "The Blind Side" (Warner Bros./Alcon): $12.7 million, up 10%. Domestic total: $209.1 million.

6. "Up in the Air" (Paramount/Montecito): $11.4 million, up 1%. Domestic total: $45 million.

7. "The Princess and the Frog" (Disney): $10 million, up 11%. Domestic total: $86.1 million.

8. "Did You Hear About the Morgans?" (Sony/Relativity): $5.2 million, up 4%. Domestic total: $25.6 million.

9. "Nine" (The Weinstein Co./Relativity): $4.3 million, down 22%. Domestic total: $14 million.

10. "Invictus" (Warner Bros./Spyglass): $4.1 million, up 2%. Domestic total: $30.8 million.

-- Ben Fritz

Photos, from top: Sam Worthington, left, Michelle Rodriguez, Sigourney Weaver and Joel David Moore in "Avatar." Credit: Mark Fellman / 20th Century Fox.  Meryl Streep and Alec Baldwin in "It's Complicated." Credit: Melinda Sue Gordon / Universal Pictures


Some jazz highlights coming in 2010
Bay Area fans of jazz will have far too many options in the coming months; so here are some suggested performances to help narrow list.
Feel A Song Coming On? The Movie Musical Returns

The past decade saw a resurgence of the film musical, with Mamma Mia! raking in the bucks at the box office while Chicago cleaned up at the Oscars. The new year is shaping up to be a banner year for big-screen musicals, too. How did this decade revive this kind of moviemaking and why did it go away in the first place?


Sabtu, 02 Januari 2010

If you liked 2009's 'Hangover,' try 'Due Date' in 2010
For anyone worried that the movie business has an originality problem, 2009 offered plenty of evidence to the contrary. Amid the familiar retreads and easy explosions came a surprising number of fresh ideas.
World's Tallest Building Rises Amid Dubai's Flop

Even as Dubai struggles with its financial flop, the emirate will open the world's tallest skyscraper Monday. The Burj Dubai is nearly a half-mile high — that's taller than the Empire State Building and the Chrysler Building combined. And much of this giant is vacant, Los Angeles Times architecture critic Christopher Hawthorne tells guest host Mary Louise Kelly.


Jumat, 01 Januari 2010

News Corp.'s Fox, Time Warner Cable strike deal to keep signals on

Media giant News Corp. struck a new deal that will keep its Fox-owned television stations -- including KTTV Channel 11 and KCOP-TV Channel 13 in Los Angeles -- and several of its cable networks on Time Warner Cable systems.

The agreement was reached late Saturday afternoon, less than a day the current contract between the two companies expired. 

The high-stakes game of poker between media mogul Rupert Murdoch’s News Corp. and Time Warner Cable Inc., the nation’s second-largest cable operator, reached a crescendo peak in the last few days, with lawmakers and regulators pleading with both companies to hammer out a deal or face their wrath.While both companies publicly attacked each other, talks continued around the clock among executives hunkered down on Fox’s Century City lot.

For consumers, the good news is that the new pact means they won’t have to hook up rabbit ears to their televisions or find an alternative TV service to watch Fox’s programming, including college football today or the return of “American Idol” in two weeks.

The bad news is their cable bill may go up.

Fox had initially been seeking $1 per subscriber each month for its television stations. Time Warner’s initial response was to offer 25 cents to 30 cents. The terms of the new deal could not be immediately learned Industry observers and analysts had been predicting that the price tag would ultimately be 50 cents or less for Fox.

For Fox, securing fees for its TV stations from Time Warner Cable is viewed as an important win. Broadcast networks have long argued that, for their financial health, they need a second source of revenue beyond advertising in the form of fees from cable operators.

The cable industry has resisted paying for those signals, noting that consumers -- albeit a dwindling number -- can get broadcast TV over the air for free. Broadcast networks have countered that most consumers would not subscribe to cable if it didn’t include their local TV stations.

In previous years, TV networks and cable operators had reached a detente of sorts. Instead of charging fees for their stations, networks used negotiating leverage to win capacity on cable systems to launch their own cable channels, such as Fox did with FX.

But there is little room left for new channels on most cable systems, so broadcasters now are pressing for cash, a right provided to them under 1992 legislation. 

Time Warner Cable, meanwhile, can claim that it did its part for consumers by holding down the cost of monthly cable TV bills by not caving in to Fox’s demand for $1 per subscriber. Although viewers were spared losing Fox and its cable channels, including FX and sports channels Fox Sports West and Prime Ticket (Fox News has a separate agreement with Time Warner Cable and was not subject to the negotiations), such rifts have been growing more public. They may also be leading to unintended consequences for the cable and broadcast industries down the road.

Both Time Warner and News Corp., for example, were starting to get heat about their stalemate from Washington lawmakers and regulators, who hinted that there could be repercussions if Fox went dark and denied millions of viewers the joys of a New Year’s weekend of football viewing.

Sen. John F. Kerry (D-Mass.), chairman of the Commerce subcommittee on communication, technology and the Internet, was pushing for Fox to let Time Warner Cable continue carrying its stations. Earlier in the week, he said that if the Fox signals did go dark on Time Warner Cable, he’d ask the Federal Communications Commission to intervene. On Thursday, FCC Chairman Julius Genachowski issued a statement urging “Fox and Time Warner Cable to agree to a temporary extension of carriage.”

However, whether the FCC would have tried to force both sides into a temporary agreement is unclear. Traditionally, the regulatory agency stays out of business negotiations, and whether it could have lawfully asserted itself is a matter of debate.

-- Joe Flint
Limbaugh says there's nothing wrong with his heart
Conservative talk radio show host Rush Limbaugh said Friday tests showed nothing was wrong with his heart after he was hospitalized with chest pains.
Literary Larceny: A Book Thief Meets His Match

In 2003, rare-book dealer and bibliodetective Ken Sanders tracked and caught a con artist with designs on first editions of some of the most cherished books in the world. Author Allison Bartlett tells the story in a new book called The Man Who Loved Books Too Much.


[UPDATED] Fox and Time Warner agree to three-hour extension in deal talks

Fox parent News Corp. and Time Warner Cable have agreed to a three-hour extension to keep the Fox TV stations on Time Warner Cable as talks go on to hammer out a new distribution deal to replace the old agreement that just expired on the East Coast and expires on the West Coast at midnight.

UPDATE: Talks between the two companies continued into Friday morning and the Fox signal is still on Time Warner Cable systems.

Representatives for both sides confirmed that negotiations between the two companies, which have been  taking place over for the last few days in a conference room on Fox’s Century City lot, are moving along. Teams from both companies have been meeting and then retreating to their own war rooms to review the latest offers while munching on catered food and an endless supply of coffee and soda.

Fox, which owns KTTV-TV Channel 11 and KCOP-TV Channel 13  in Los Angeles, had been threatening to remove its TV stations and many of its cable networks if it could not reach an accord with Time Warner Cable. That would have meant that more than 1 million Time Warner Cable subscribers in Southern California and 4 million in cities around the country, including in New York and Dallas, would have lost the signals for Fox while the network aired a slew of big college bowl games and NFL football.

The two sides are haggling over a price tag for Time Warner Cable to carry the Fox TV stations. Fox is seeking about $1 per subscriber each month, while Time Warner has made an offer between 25 and 30 cents, according to people close to the talks.

The game of chicken between Fox and Time Warner Cable could come at a heavy cost to both companies if the signals go dark. For Fox, not having its stations on Time Warner Cable systems in Los Angeles, New York and Dallas  â€" among other big cities  â€"  probably would mean that ratings for its TV shows would fall. That in turn means that Fox might have to refund money to advertisers. Typically, when an advertiser buys time on television, it comes with a guarantee of reaching a certain number of viewers. If that number is not reached, the advertiser can seek additional commercial time for free or get its money back.

The risk for Time Warner Cable, which is the nation’s second-largest cable distributor with more than 14 million subscribers â€" 4 million of whom are in markets where Fox owns TV stations â€" was that frustrated consumers might drop their cable service for a rival that has a deal with Fox.

Both companies no doubt would also face a beating in the court of public opinion. In dueling ad campaigns, Time Warner Cable has accused Fox of trying to gouge consumers with its “massive price increases,” while Fox has countered that the cable giant is trying to shortchange viewers and line its own pockets by not paying a fair price for its programming.

For now, those grim scenarios have been put on hold, for at least a few more hours.

-- Joe Flint



Five to see over New Year's Day
Wondering which movies to see over the holiday? Here are five flicks worth catching.
Literary Larceny: A Book Thief Meets His Match

In 2003, rare-book dealer and bibliodetective Ken Sanders tracked and caught a con artist with designs on first editions of some of the most cherished books in the world. Author Allison Bartlett tells the story in a new book called The Man Who Loved Books Too Much.